Allan Jones – Father To The Son

I had intended to write a piece about crooner Jack Jones, who has had — and continues to have — a long and successful career as a jazz and pop singer. But I decided to save that for another day, and instead tell the story of his talented dad, Allan Jones, who paved the way via his genes and his influence.

The Pennsylvania-born Jones was the son of a coal miner, and spent some time underground himself as a young man but was able to sing his way into a scholarship that took him out of the mines. He would spend the next several years in New York, Paris and London, receiving a classical musical education that included operatic training.

By the early Thirties, he had returned to New York and immediately began working toward a career in music, but even though he did find some work singing the classics, he soon began to make a name for himself on Broadway. And — as was the case with many stage performers — he also soon found himself in Hollywood.

For a number of years, he was a popular performer who seemed to glide effortlessly from Broadway to Hollywood and back again. His best-remembered movie roles from those days are mostly parts that leaned on his singing ability. Good examples are two Marx Brothers’ films — A Night At The Opera and A Day At The Races.  He’s also remembered for an early version of Showboat (see video below) and for a movie called The Firefly, which furnished what became his signature song, “Donkey Serenade.”

Although his film work eventually slowed, Allan Jones continued to work regularly for many years — not only on Broadway, but as a popular nightclub entertainer. He also had the pleasure of seeing his son Jack become a popular crooner, and the twosome often performed together. (Once making a fun appearance on a episode of Love Boat.)

Allan Jones died at age 84 in 1992, and is still remembered — and appreciated — by many.

3 thoughts on “Allan Jones – Father To The Son

  1. Glad you enjoyed it. I plan to cover Jack in a later piece, so be sure to check back once in a while.

    PS Be sure to click the “Love Boat” link mentioned near the bottom (if you haven’t already). It shows both Jack and Allan, singing together.

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  2. IMHO that 1936 film of Showboat is one of the greatest ever made. Yes, this Jones/Dunne number is a treasure, but it’s just one among many. That’s Paul Robeson, THE Paul Robeson, doing “Old Man River.” And the first time I saw Dunne, Hattie McDaniel and the chorus rollick through “Can’t Help Lovin’ That Man” I was thunderstruck–tears of utter joy. The 50s version of the movie that most of our contemporaries know is but a ghostly shadow….

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